The prominent aspects of logical design within my cabin include:
- An emphasis on open plan living, all major living spaces utilised repeartedly during the day can be completely opened to the central pavillion.
- A natural and unimpedded transition to the surroundings, instinctively the space spills down the last few levels out into the open
- Subtle proportions of the site are translated through the design
- The tiered roofline a nod to mountain peaks along the horizon, rising and falling in sync, tying the view to the building
- Heavy set walls on the West and East facades protect the building from harsh summer sun and act as a thermal mass, containing heat in winter and keeping the internal temperature down in summer
- A North East orientation, maximises the exposure to winter sun allows for the greatest penetration of morning light
- Openable and fixed glazing can be angled to catch the dominant winds and direct air flow through the building
- A ribbon of glazing runs around the roof line of the two building allowing in additional light.

SITE CONSIDERATIONS AND DESIGN RESPONSE


COMMODITY - A HOUSE AS AN CONTAINER OF HUMAN ACTIVITY
The main aspects of spatial design within my cabin include:
- A strong emshasis on movement and transition
- A central living space, that is essentially the core to all movement within the cabin, it is the link between all the seperate spaces, re-affirming that connection with the open surrounds each time the occupant passes through
- An obvious disassociation between the work and bedroom spaces, the transition is evident, 'going to work' and 'leaving work'
- A bedroom retreat, physically removing oneself from the lateral flow
- Multi-functional 'pockets', adaptable areas that are changeable, the main dining table can serve as a semi-formal meeting table with the addition of more chairs, the lounge and table in the studio can be used for informal meeting or reflection.


SPACE ORGANISATION AND CONNECTIONS


DELIGHT - A HOUSE AS A DELIGHTFUL EXPERIENCE
The main aspects of formal design within my cabin include:
- A strong and lingering entry, the entrance is situated on the East side and offers no insight into the living conditions of the cabin.
- Quick air flow through the passage and a step up onto the pavillion re-affirm the notion of a journey into the space and these 'unpleasent' conditions mean that the central living space seems calm and enclosing, almost more at peace. Its a juxtaposition, one which intensifies the experience entering this open area
- Obvious intention to bring the outside in, a completely open and well ventilated cabin means that the scents and sounds from the landscape easily permeate the internal spaces
- Simple, local materials, raw and unfinished, concrete blocks and timber decking.

A general represenation of sensory exerience and materiality
THE DESIGN PARTI

FORMAL DIAGRAMS - LOUIS KAHN'S FAMOUS 10 LINES OF ARHITECTURAL INTENTION

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